Barlines' favourite cello hellraiser Samara Ginsberg took her instrument to the ENO loop factory on Sunday, to take part in Anna Meredith's session on Philip Glass' Satyagraha.
There are lessons to be learned here; surely if they could set up some loops in the pit at the Coli for performances of Glass' work it would save much tears and RSI on the part of ENO's valiant woodwind...
There are lessons to be learned here; surely if they could set up some loops in the pit at the Coli for performances of Glass' work it would save much tears and RSI on the part of ENO's valiant woodwind...
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If anyone ever wanted to defy the common assumption that musicians were a bunch of weirdoes, THIS should most definitely be kept out of site at ALL COSTS!!!!!
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